Laurence Cummings – The Last Hours of Christ on Earth
This concert is sponsored by Sir Peter Job
Introducing the performers…
Laurence Cummings directs this choral concert from the Chamber Organ and there are viols accompanying some of the music. Readings from John Donne and other Easter texts will be read between the choral pieces by Martin Parr.
Alicia Carroll (Soprano)
Amy Carson (Soprano)
Nicola Corbishley (Soprano)
Emma Brain Gabbott (Soprano)
Lucy Ballard (Alto)
Polly Jeffrey (Alto)
Laurence Cummings (Tenor)
Thomas Phillips (Tenor)
Michael Entwisle (Bass)
Robert Evans (Bass)
William Townsend (Bass)
Laurence Cummings is one of Britain’s most exciting and versatile exponents of historical performance both as a conductor and a harpsichord player. He was an organ scholar at Christ Church, Oxford where he graduated with first class honours. Until 2012 he was Head of Historical Performance at the Royal Academy of Music, which led to both baroque and classical orchestras forming part of the established curriculum. He is now the William Crotch Professor of Historical Performance. He was Musical Director of the Tilford Bach Society. Since 1999 he has been Artistic Director of the London Handel Festival where performances have included productions of Deborah, Athalia, Esther, Agrippina, Sorsame, Alexander Balus, Hercules, Samson, Ezio, Riccardo Primo and Tolomeo. In 2012 he became Artistic Director of the Internationale Händel-Festpiele Göttingen. He is also a regular guest at Casa da Musica in Porto where he is Music Director of the Orquestra Barroca Casa da Música.
Other opera productions Laurence has conducted include Radamisto, L’Incoronazione di Poppea, Semele, Messiah, Orfeo and Indian Queen for English National Opera; L’Incoronazione di Poppea for Opera North; Giulio Cesare and Fairy Queen for Glyndebourne Festival Opera; Saul for Glyndebourne on Tour; Gluck’s Orpheus & Eurydike, Giulio Cesare and Alcina at Gothenburg Opera; King Arthur and SALE for Opernhaus Zurich; Messiah at the Opera de Lyon; Vivaldi’s L’Incoronazione di Dario, L’Olympiade and La Verita in Cimento for Garsington Opera; Ariodante and Tolomeo for English Touring Opera; Rodelinda for Opera Theatre Company in the UK, Ireland and New York; Alceste at the Linbury Theatre Covent Garden as part of the London Bach Festival; Francisco António de Almeida’s La Spinalba and La Giuditta in Porto; and L’Incoronazione di Poppea and Dardanus at the Royal Academy of Music. He made his US debut conducting Orfeo with the Handel and Haydn Society in Boston.
Laurence regularly conducts the English Concert and the Orchestra of the Age of Enlightenment, both in the UK and on tour. He also works with the Hallé, Bournemouth Symphony, Britten Sinfonia, Royal Northern Sinfonia, Royal Liverpool Philharmonic, Ulster Orchestra, Royal Scottish National Orchestra, Royal Academy of Music Baroque Orchestra, Handel and Haydn Society (Boston), St Paul Chamber Orchestra (Minnesota), Wiener Akademie, Musikcollegium Winterthur, Zurich Chamber Orchestra, Jerusalem Symphony and Basel Chamber Orchestra.
His numerous recordings include the first recording of Handel’s newly discovered Gloria with Emma Kirkby and the Royal Academy of Music on BIS and recital discs of solo harpsichord music (including music by Louis and Francois Couperin) for Naxos. A solo disc of Handel arias with Angelika Kirschlager and the Basel Chamber Orchestra on Sony BMG was followed up by a recording of duets with Lawrence Zazzo and Nuria Rial, also with the Basel Chamber Orchestra, on Deutsche Harmonia Mundi. He conducts the English Concert and recorder player Maurice Steger in a disc of Corelli concertos for Harmonia Mundi.
Performing in Adderbury…
Aprl 1, 2016 at 19:30
Vivid choral settings by Schubert, Tchaikovsky, Byrd, Schütz et al:
- Bruckner: Christus Factus Est
- Tchaikovsky: When Jesus Christ Was Yet A Child
- Schubert: Antiphons For Palm Sunday (nos 2, 4 and 6)
- Tallis: If Ye Love Me
- Bach: St John Passion Chorale 15
- Byrd: St John Passion (Sections)
- Lotti: Crucifixus a 8 Voci
- Gesualdo: Tenebrae Factae Sunt, Dum Crucifixissent Jesum Judaei
- Byrd: Angelus Domini A3
- Schütz: Auferstehungshistorie, SWV50 (Extracts)
- Byrd: Christ Rising Again
- Fauré: In Paradisum
- Tomkins: O Sing Unto the Lord a New Song
Buy Tickets on the Door
Tickets can be purchased at the door on the evening of the concert. Advance tickets can be booked by telephone, in person or online from Tickets Oxford (see below).
- £15.00 adults
- £13.00 full-time students, senior citizens and children 10-16
- £13.00 Friends of Music in Adderbury (adult)
- £10.00 Friends of Music in Adderbury who are full-time students, senior citizens or children 10-16
- Free admission for children aged of 5-10 accompanied by an adult. (Please note: we do not allow children under the age of 5.)
Click here for more information on Music in Adderbury venues and ticketing.